Gabie Strong – Incantations Vol. 1 (2018, Crystalline Morphologies)

Listen/Buy

Having been greatly enamored with Gabie Strong’s supreme 2016 releases, Marginal HQ was abuzz upon discovering the artist’s latest cassette release, Incantations Vol. 1. Comprised of two trademark pieces of guitar driven aural mysticism, the latest release on the artist’s own Crystalline Morphologies label does not disappoint. Upon popping the tape into the deck and engaging the heads, the A-Side starts to uncoil into ‘Overhead, A Raven’, a 31 minute work consisting of field recordings, tinkling bells, immersive feedback, and a singing bowl used to great effect. Opening with a wind whipped recording of an assortment of bells and what upon first audition sounds like a large body of water, the listener unwittingly finds themselves immersed in an aesthetic experience that is one part ritual and one part audio vérité. Akin to sinking into a dream, the initial sounds are fluidly displaced by cascading feedback which ultimately brings the listener under it spell. Around 17′, the track begins to shift queasily; whilst lacking any obvious meter, the listener has the sudden sensation that the tempo has increased and the dense layers of sound assume a darkness not present in the composition’s opening half. After six minutes of immersion in a hellish tempest, the mighty, resonant ping of a singing bowl jolts one back into the present, not dissimilar to the electrifying surge one experiences when waking oneself from a nightmare. The pulsing drones of the singing bowl hold the listener with their sure embrace. Despite the simplicity of its construction and its duration, ‘Overhead, A Raven’ neither feels haphazard nor tedious. The B-side, ‘Incantation for Revolt Against Brutality’ is equally captivating in its simplicity. The opening 12 minutes revolve around spellbinding oscillations of feedback, punctuated by the warbling clang of bells. The track ultimately descends into meditative psychosis: a looped assemblage of monologues crescendo into inarticulate sound, melding with Strong’s amplifier. By the 20′ mark, the track assumes a gritty harshness, contrasting anything up to that point. Coupled with the recording’s fidelity, Incantations conjures the spectre of Keiji Haino’s early works; but make no mistake, Gabie Strong retains a unique voice and style all her own.

One can only hope (as the title implies) this is the first volume in a successive string of imminent releases…