9 November

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Chris Watson —  El Tren Fantasma (2011, Touch Music)

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Having visited field recording mastermind Chris Watson’s superlative Weather Report in July, today felt like an excellent day to bring the English recordist back into rotation. While his ability to identify, capture, and edit sounds into new artistic works is largely unparalleled, one point that goes largely overlooked is Watson’s abilities as a storyteller. Using sounds (and occasionally speech) in place of written words, Watson manages to craft a deeply immersive and stimulating narrative that captures the listener’s imagination. On 2011’s El Tren Fantasma, a haunting mix of archival recordings and sounds captured while Watson traversed Mexico on the now defunct Ferrocarriles Nacionales de México as a sound-recordist for the BBC, the listener becomes a passenger on thrilling ride across a country of diverse landscapes. Boarding announcements feel as frantic and coarse as if one were on the platform; the anticipation of the journey upon hearing diesel engines come to life is equally tangible and immediate. Insects, jungles, birds, wind, and the twitch and spark of steel on steel all contribute to the journey and dually reinforce Watson’s creative prowess and the affectivity of sound. While few tracks match the musicality (in the most reductive sense of the word) of “El Divisadero” with its Cascading strings coupled with the rhythmic thud and clack of a train wheels soaring over lengths of track, the abundantly rich sounds captured by Watson take the listener on a thrilling voyage. As the N de M has since been dismantled and/or privatized, the recordings are something of a sonico-historical document which evokes questions related to memory, space, development and how these factors impact acoustic phenomena. As is the case with most of Watson’s work, a brilliant release.

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