4 November

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Will Guthrie — Dream Spink (2018, Teen Dreams)

Listen/Buy


Marginalites! The summer of discontent has ended! Things at Marginal HQ have been topsy turvy and after some months of no new brevity (marginal or otherwise), we’re back with a treat. The latest cassette release by Australian drummer Will Guthrie on Minneapolis’ Teen Dreams label. Whilst Guthrie’s CV speaks for itself, the artist lets the playing do the talking on Dream Spink. The work consists primarily of a solo drum piece recorded at Cafe Oto earlier this year (2018). The live performance is augmented by additional percussion, keyboards, and sparse vocals recorded ex post facto by the artist. The result is an evocative experience, where the listener is left to hypnotically glide through a lifeworld of surreal paranoia.

The A-side of the piece recalls the Dead C’s magisterial mid-90s Siltbreeze output (most notably, Tusk). Jingling cymbal paradiddles are interwoven with stray, churning kicks on a bass drum, which crescendo into vast forests of nothingness. Whilst the A-side is a barbed descent where the listener is brought under the artist’s thrall, the B-Side ascends from the netherworld, the listener is transported out of the forest and into the clear. But this is neither reprieve nor a place of solace. An overarching sense of trepidation lingers, leaving one with a lingering sense of some remnant hypnosis, fueled by Guthrie’s diligence on the drums. The B-side of the tape proves to be fertile ground: startling vocals accost those daring to trespass, whilst keyboard treatments further the listener’s sense of dread and propel an eerie captivation. As the piece progresses, Guthrie increases the tempo, the drums start to boil, and the listener is hastened forward. Yet, just as the listener is preparing to run, the drumming pulls back curiously, like a sudden gust of wind on a day otherwise characterized by its calming stillness. And much the way that life’s complexities seem to prompt an stream of endlessly imbricating questions, Will Guthrie guides the listener somewhere, only to vanish leaving the listener mystified.

The engrossing nature of this piece ranks it highly amongst other works that feature a single artist engaging with percussive techniques/instruments, however a major detraction is the abrupt ending of the cassette’s opening side. So jolting is the end of Side-A, this listener would recommend you stick with the digital format, so you can sink in and savor all 30 minutes of Dream Spink without distraction.

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