C-drík — Multiples des uns (2015, Syrphe)
Here at Marginal HQ, we’ve recently tapped into the vein of non-musicality and been spinning releases from Britons Chris Watson and Jez riley French. Add 2015’s Multiples des uns, a self-described “cinema for the ears” by Congolese-German artist C-drík. Consisting of one, hour long track, Multiple features interwoven sonic phenomena from many broad, often disparate sources. Captured by the artist during travels throughout the Asian continent, the listener is treated to footsteps that intermingle with indigenous music(s), the vibrant and mysterious sounds of the jungle melding with austere heavy machinery, the sounds of children playing which overrun passing automobiles, and many other sonically rich, varied noises. C-drík demonstrates not only an ear for fascinating aural objects, but also an acute sense of cinema-like rhythm and adroitness in their editing abilities. While the continent itself possess a multitude of varying experiences, languages, cultures, topographies, histories, etc. this release fascinatingly documents a few of the sounds found throughout a diverse continent and celebrates the fundamental nature of sound itself, ever present, everywhere. One could also argue that for those with the privilege of audition, listening enables the subject to find common ground in their connection to others and to the natural world. Trains screech, insects buzz, people chatter, and children laugh all the same, regardless of whether your in Taipei, Tokyo, Toronto, or Timbuktu. In all, this is a transcendental release guaranteed to lift you out of your seat and take you on a fascinating sonic journey.